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Alice Davis Hitchcock Award for 1992, Society of Architectural Historians. Most Outstanding Book in Architecture and Urban Planning, Professional and Scholarly Publishing Division, Association of American Publishers, Inc., 1991. International Architecture Book Award, American Institute of Architects, 1992: "This is magisterial history with a grand sweep, an eye for detail and a determination not to simplify. If Modern architecture in Italy over five generations was complex, paradoxical and full of counter-tendencies in any one architect, then these are lovingly pulled apart and exposed.""
ARS [Journal of the Institute for the History of Art of the Slovak Academy of Sciences] (2-3/1994). Acts of the International Conference “Totalitarianism and Traditions,” Bratislava and Smolenice. October 25-27, 1993, 147-154.
Competing Interests: Cautionary Notes on the Notion of Totalitarian ArtItalian Studies
Il Fascismo È Una Casa Di Vetro': Giuseppe Terragni and the Politics of Space in Fascist Italy2007 •
The period between wars in Italy associated to the Fascism era in Italy, where Rationalism Architecture was born. Terragni's Casa del Fascio which designed and build in this period is a contradictory building which raises a lot of questions regarding the meaning and purpose of an architect and the building itself. Casa del Fascio has different interpretations, readings, texts, and written facts about it. It is the least propagandistic casa of all build ones looking through the building, its function and importantly in a period when it was build. That was the reason that it makes this building so important, and not only in architectural point of view. It can be argued that Terragni was trying to evolve his architecture less propagandistic way by analyzing Casa del Fascio. Although the Terragni described as rationalist architect, rationalists were Fascists indeed, but if we look to another perspective, if they were not in the party, is there any possibility of getting success in the architectural field of that era? However, Modernism without regime could not exist in Italy, at least it did. In this paper, we propose to identify and then examine three main characteristics of that time-period that can make possible to have an understanding about Terragni's Casa del Fascio. The paper will briefly render out the historical context of Italian Rationalism, mostly concerning important points and stress the role of context in Italian Rationalist Architecture. The period of architecture under the regime of fascism would be discussed with the analogy of the journal Quadrante. In fact, the architectural difficulties and complexities in the Fascism period in Italy was a precise measurement of the time for intellectuals working in this period. Terragni's Casa del Fascio will be the analogue of the discussion. It will not be an attempt to restore the Rationalist architects experience as antifascist, however, the analysis of Casa del Fascio bring us to another perspective. Can someone talk about the most important building of Rationalism in Italy, but not mention Fascism? How propaganda played a role of the building's composition? Is it a building of Fascism or just an office building? What is the view about Terragni as an architect, is he a genius modernistic architect or just a servant of the regime? These questions are the main concern while analyzing the Rationalist period in Italy and Casa del Fascio in Como, and the answers are not simple, rather they are complex. Keywords: Rationalism in Architecture, Giuseppe Terragni, Fascism, Casa del Fascio
2012 •
... Milan: F. Angelo, 1980; Lorenzo Cappellini and Paolo Portoghesi, Le città del silenzio: paesaggio, acque e architetture della regione pontina. Latina: L'Argonauta, 1984; Terry Kirk, 'Framing St. ... 4 (December 2006): 756–76; Paolo Scattoni, L'urbanistica dell'Italia Contemporanea. ...
2008 •
arq: Architectural Research Quarterly
Furnishing the Fascist interior: Giuseppe Terragni, Mario Radice and the Casa del Fascio2006 •
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Fascism, Journal of Comparative Fascist Studies
Ideology and Architecture in the Portuguese 'Estado Novo': Cultural Innovation within a Para-Fascist State (1932–1945)2018 •
Beyond the Piazza. Public and Private Spaces in Modern Italian Culture
"La casa all'Italiana": Domus and the Ideology of the Domestic interior in 1930s Italy2013 •
Architectural Histories (review article)
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Looking for Modernity: Tradition and Innovation in Italian Architecture During the Fascist GovernmentProQuest 10621247 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author.
ALDO ROSSI: THE CITY AS THE LOCUS OF COLLECTIVE MEMORY AND THE MAKING OF THE PUBLIC CITY IN COLD WAR ITALYNationalism in the Visual Arts, ed. Richard Etlin. Studies in the History of Art, National Gallery of Art, vol. 29 (1991), 88-109.
Nationalism in Modern Italian Architecture, 1900-19402015 •
2011 •
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Andrea Frank: Beloved Child: Photo Essay as Metaphysical SchoolAnnali d'Italianistica
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‘On the Verge of the Absurd’: Bruno Munari, Dada, and Surrealism in Interwar Italy2017 •
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THE RURAL AND THE MODERN IN FRANCO'S SPAIN2019 •
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2017 •